The Web Content Accessibility Guidelines (WCAG), which also bring the Website into conformance with the Americans UsableNet Inc, a leading web accessibility consultant to help test, remediate and maintain our Website in-line with To accomplish this, Titelmedia has engaged To persons with disabilities including users of screen reader technology. Of its Website, Titelmedia strives to ensure that its Website services and content are accessible
Titelmedia (Highsnobiety), is committed to facilitating and improving the accessibility and usability And while after the first listen or three, some listeners may have tuned out, those who stayed on were treated to a remixed version which saw the track slow down to drop in a verse by A$AP Rocky.
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When the track “Chanel” made its debut, many going on to call it a bisexual anthem, it was played for a full hour on repeat, reportedly 18 times in total. On the stream, this came as long periods of silence, of watching nothing happen on the screen, or watching Frank build things, paying no mind to the camera lens. With one of those releases, Ocean pulled another tactic employed on the Endless stream, lulling listeners into a false sense of monotony and then changing things. In fact, his music since Blonde dropped has almost exclusively been released on his turf: his Apple Music radio station blonded RADIO.
For the most part, fans and the masses experience him on his terms, on land that he has claimed as his own, in a bit of an immersive experience. Ocean is a celebrity removed from celebrity. And yet there are other fully conceptualized thesis arguments, complete and polished gems, themselves littered with snarky shots across the bow at ex lovers. “Comme Des Garçons” rises to the top of the heap for this grouping, only clocking in at 52 seconds. Elsewhere, things of his own creation are ripe for revisiting, like short text posts on the microblogging service.
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Here, he reblogs other artists by sampling the likes of Jazmine Sullivan in “Wither” and Lauryn Hill in “Rushes.” The Isley Brothers come reworked in Frank’s vocals in an “At Your Best” cover and he reblogs a cult classic movie in “Ambience 001: In a Certain Way" when he dubs a clip of the iconic drag queen Crystal LaBeija. On Endless, the studio seemingly becomes a playground, a sonic Tumblr feed. And while the project was quickly forgotten by the masses when Ocean released the more commercially-friendly Blonde 36 hours later, Endless represents a lot more than a throwaway album to get out of a label deal. This was not the Channel Orange follow up they had hoped for, that many oddly felt they deserved. And then when it was out in its entirety, edited down to a 45-minute video package, it left many confused. It eased its way out, as a part of a 19-day live stream that included certain periods of instrumental music and others of just silence. Picturesīrandon Shaw is a bearded, coffee-drinking, blogging, freelance musician in the Los Angeles area.Just over a year ago, Frank Ocean’s Endless dropped. Oh, by the way, have you heard about Frank Ocean’s new “movie album” coming out? It’s the logical next step. All I know is, Frank Ocean managed to pull off the heist of the year. Is Apple Music the new record label? Will artists cut out the middle man and start leaving traditional labels for greener pastures? We’ll have to wait and see. Biggest loser: Def Jam, for missing out on Ocean’s real album, and instead getting what basically amounts to a really long Home Depot commercial (albeit with a dope soundtrack). Losing: Spotify, for being a sore loser and claiming that exclusives are “ bad for artists, bad for consumers, and bad for the whole industry.” Please. People will sign up just to stream Blonde and Endless. Still winning: Apple Music, for locking down yet another exclusive. Also winning: Frank Ocean, for being sneaky and releasing his new album independently as an Apple Music exclusive (and presumably making much more money). Most winningest: Frank Ocean fans, for getting a double dose of new music after years of teasing.